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Select Works
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“And what I am interested in above all else is reality, and the criterion always with me is not am I painting a beautiful picture or am I painting the next problem that everybody says we should be looking at, but is it real.”
– Jeremy Moon, Interview with Barry Martin, October 29, 1973. Published in One Magazine, April, 1974.
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“I think it is true to say that I felt that art was the most important thing in life.”
– Jeremy Moon
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Available Works
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Jeremy Moon, Drawing [20/9/73], 1973
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Jeremy Moon, Drawing [18/7/73], 1973
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Jeremy Moon, Study for Shadows, 1965
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Jeremy Moon, Drawing [68], 1968Sold
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Robert Moon speaking about his father’s work in the context of the artist’s studio that has been kept intact since 1973. Made in collaboration with filmmaker Tom Coburn.
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Robert Moon speaking about his father’s work. Video by Phil Poppy.
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About the Artist
Jeremy Moon (1934 – 1973) was born in Altrincham, England and received a law degree at Christ’s College, Cambridge. He worked in advertising and enrolled briefly at Central School of Art, before devoting himself to art in the early 1960s. He taught sculpture at Saint Martin’s School of Art and painting at Chelsea School of Art, while exhibiting extensively within the United Kingdom and internationally. He died in London after a motorcycle accident at the age of 39. The first retrospective of his work took place in 1976 at the Serpentine Gallery in London, and travelled to Manchester City Art Gallery, Manchester; Kettle’s Yard, Cambridge; Ulster Museum, Belfast; and Ikon Gallery, Birmingham. His work is represented in the permanent collections of several international institutions including Tate, London; British Museum, London; Victoria & Albert Museum, London; Museum of Modern Art, Rio de Janeiro; Walker Art Center, Minneapolis; Art Institute of Chicago; Milwaukee Art Museum; Albright-Knox Gallery, Buffalo; Hammer Museum, Los Angeles; and Rhode Island School of Design Museum, Providence. A forthcoming exhibition of Moon's work, organized by Ivory Tars in Glasgow, will focus on a series of drawings and their relationship to the last painting made by the artist in 1973, the final year of his life.