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Boyle Family: Nothing is more radical than the facts

Past viewing_room
6 March - 24 April 2021
  • BOYLE FAMILY

    Nothing is more radical than the facts

    March 6 – April 24, 2021

    Luhring Augustine Chelsea

  • Boyle Family, directed by Georgia Boyle and Fran Robertson; A Surface films production for the Scottish Arts Council Lottery Fund and BBC Scotland

  • Boyle Family is a British collaborative group comprised of Mark Boyle (b. 1934, d. 2005), his wife Joan Hills (b....

    Boyle Family is a British collaborative group comprised of Mark Boyle (b. 1934, d. 2005), his wife Joan Hills (b. 1931), and their children, Sebastian Boyle (b. 1962) and Georgia Boyle (b. 1963). The artists are well known for developing a body of work called 'earthprobes' in which randomly selected areas of the earth's surface are recreated through meticulous and innovative methods.

     

    Presenting archival photographs alongside significant work, this online viewing room reveals how the earthprobes are but one facet of Boyle Family’s multi-sensory practice, which includes installation, sculpture, photography, film, and performance.

     

  • EARTHPROBES

  • In London Boyle Family began making earthprobes in West London in the early 1960s. The city’s sidewalks, cobbled streets, and...

    In London

     

    Boyle Family began making earthprobes in West London in the early 1960s. The city’s sidewalks, cobbled streets, and industrial detritus feature in a number of bodies of work produced over the years, including the Shepherd’s Bush Series, London Series, Lorrypark Series, and Westminster Series, among others.

     

     

     

    • Kerb Study with Filled in Basement Lights and Cobbles, Westminster Series
    • Mark and Joan in London, 1969.

      Mark and Joan in London, 1969.

    • Installation view of Indica Gallery, London, July 1966.

      Installation view of Indica Gallery, London, July 1966.

    • Sites were selected through a randomized process; often darts were blindly thrown at maps ensuring that their work followed a non-exclusionary ethic.

      Sites were selected through a randomized process; often darts were blindly thrown at maps ensuring that their work followed a non-exclusionary ethic.

  • Camber Sands Camber Sands, a beach in southern England, is a site where Boyle Family have produced works since 1966...

    Camber Sands

     

    Camber Sands, a beach in southern England, is a site where Boyle Family have produced works since 1966 and have returned to over the subsequent decades. While most of the sites for the earthprobes were chosen at random, Camber Sands was selected specifically to observe and present its unique topography. One pivotal early series made in 1969, consists of 14 earthprobes that are an examination of the ever-changing physical relationship between sand and water. 

    • Joan Hills works on an earthprobe at Camber Sands, 1969.

      Joan Hills works on an earthprobe at Camber Sands, 1969.

    • All 14 earthprobes that comprise the Tidal Series are in the collection of the Scottish National Gallery of Modern Art. Installation View: Boyle Family, Scottish National Gallery of Modern Art, Edinburgh, Scotland, August 14 – November 9, 2003.

      All 14 earthprobes that comprise the Tidal Series are in the collection of the Scottish National Gallery of Modern Art. Installation View: Boyle Family, Scottish National Gallery of Modern Art, Edinburgh, Scotland, August 14 – November 9, 2003.

  • EVENTS AND LIGHT WORKS

  • Dig On February 6, 1966, Boyle Family invited friends to Dig, an event in which participants were brought to a...

    Dig

     

    On February 6, 1966, Boyle Family invited friends to Dig, an event in which participants were brought to a cordoned-off area and instructed to excavate items found in the ground. The location was the site of a demolished ornamental garden statue factory; around 200 of the statues and other objects that were found were exhibited at the Boyle's home.

     

    Dig was hosted by the Institute of Contemporary Archaeology (ICA). Established specifically for the event, this entity would come to codify the motivations for Boyle Family’s larger practice. For Mark, the ICA represented "the view that anything that exists is part of the contemporary environment... an object is not unworthy of our interest because it happens to be old or damaged or picturesque."

    • Dig Exh 4 Mark Crop Higher Bw Adj 2
    • Dig Exh 3 High Bw Adj 2
  • Son et Lumiere Mark and Joan experimented with works using light and projection throughout most of the 1960s. Son et...

    Son et Lumiere

     

    Mark and Joan experimented with works using light and projection throughout most of the 1960s. Son et Lumiere was an important series of performance-based light works that involved projecting microscopic imagery of chemical reactions, live animals and insects, and even bodily fluids. Many of these performances were hosted at underground concert and art show venues in London. Their proximity to other artists and creatives of the counter-culture scene led to important collaborations like that with the psychedelic rock band Soft Machine.

    • Zinc being destroyed by acid in Son et Lumière for Earth, Air, Fire and Water, 1966.

      Zinc being destroyed by acid in Son et Lumière for Earth, Air, Fire and Water, 1966.

    • Son et Lumière for Bodily Fluids and Functions, January 1967. Projections included bodily fluids extracted from Boyle and Hills during the performance.

      Son et Lumière for Bodily Fluids and Functions, January 1967. Projections included bodily fluids extracted from Boyle and Hills during the performance.

    • Projection from Son et Lumière for Earth, Air, Fire and Water, 1966.

      Projection from Son et Lumière for Earth, Air, Fire and Water, 1966.

  • Seeds for a Random Garden Conceived by Joan Hills in 1966, Seeds for a Random Garden was a project that...

    Seeds for a Random Garden

     

    Conceived by Joan Hills in 1966, Seeds for a Random Garden was a project that relates peripherally to the earthprobes. The work involved collecting seeds from areas of land selected randomly by throwing darts at a map. They were also gathered in other ways, such as requesting seeds from guests who attended their exhibition openings, or setting out mesh traps to catch seeds blown in the wind. These samples were then planted in portable boxes and exhibited.

    • Garden Truck High
    • Seeds Toprint High
  • WORLD SERIES

  • In 1969, Boyle Family began World Series during their exhibition Journey to the Surface of the Earth at the Institute...

    In 1969, Boyle Family began World Series during their exhibition Journey to the Surface of the Earth at the Institute of Contemporary Art, London. The artists asked blindfolded visitors to throw darts at a large-scale map of the world. The pinpointed areas on the map represented sites where Boyle Family would travel over the subsequent years to realize this monumental project.

    • Study of the Lazio Site, 2013, World Series

      Study of the Lazio Site, 2013, World Series

    • Joan Hills and Mark Boyle, Sardinia (World Series site), 1978.

      Joan Hills and Mark Boyle, Sardinia (World Series site), 1978.

  • Microscope Photographs At every location of World Series, the Boyles collected specimens from the surrounding plant and animal life, including...

    Skin Chart for Body Work, 1969

    Microscope Photographs

     

    At every location of World Series, the Boyles collected specimens from the surrounding plant and animal life, including skin and hair samples from their own bodies. These elements were photographed under an electron microscope in order to provide a more comprehensive picture of that unique section of the earth. Experiments of this nature were preceded by a project called Body Works in 1969 in which randomly selected samples of Mark Boyle's skin were examined in the same way.

    • Bug X100 High
    • Bug X3K High
    • Rhandstudy P175 Bw
  • Venice Biennale In 1978, Boyle Family represented the United Kingdom at the 38th Venice Biennale with a selection of works...

    Venice Biennale

     

    In 1978, Boyle Family represented the United Kingdom at the 38th Venice Biennale with a selection of works from a number of series. Featured prominently were earthprobes and electron microscope photographs from a World Series site in Sardinia, made that same year specifically for inclusion in the British pavilion.

    • Tran 090219 02 High Adj Bw 2
    • Print 090219 01
  • NOTHING IS MORE RADICAL THAN THE FACTS

  • For the larger part of the last century, Boyle Family have continued making work internationally and locally in London. In addition to the ICA London exhibition (1969), and the Venice Biennale (1978), solo exhibitions of their work have been held at the Hayward Gallery, London (1986), the Auckland City Art Gallery, New Zealand (1990), as well as a major retrospective at the Scottish National Gallery of Modern Art (2003). In presenting reality holistically, Boyle Family developed a multi-generational and multifarious approach as a means of transcending the practical and formal limitations of artmaking. The inclusive and international nature of their practice offers an all-embracing way of looking at things, a prescient antecedent to the now common globalization of visual culture.

  • Boyle Family  Nothing is more radical than the facts  Luhring Augustine Chelsea  March 6 – April 24, 2021 (Larger version of this image opens in a popup).
    Boyle Family  Nothing is more radical than the facts  Luhring Augustine Chelsea  March 6 – April 24, 2021 (Larger version of this image opens in a popup).
    Boyle Family  Nothing is more radical than the facts  Luhring Augustine Chelsea  March 6 – April 24, 2021 (Larger version of this image opens in a popup).
    Boyle Family  Nothing is more radical than the facts  Luhring Augustine Chelsea  March 6 – April 24, 2021 (Larger version of this image opens in a popup).
    Boyle Family  Nothing is more radical than the facts  Luhring Augustine Chelsea  March 6 – April 24, 2021 (Larger version of this image opens in a popup).
    Boyle Family  Nothing is more radical than the facts  Luhring Augustine Chelsea  March 6 – April 24, 2021 (Larger version of this image opens in a popup).
    Boyle Family  Nothing is more radical than the facts  Luhring Augustine Chelsea  March 6 – April 24, 2021 (Larger version of this image opens in a popup).

    Boyle Family

    Nothing is more radical than the facts

    Luhring Augustine Chelsea

    March 6 – April 24, 2021

LUHRING AUGUSTINE CHELSEA

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TEL: 212.206.9100 FAX: 212.206.9055

 

 

HOURS: TUESDAY – SATURDAY, 10AM – 6PM

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HOURS: TUESDAY – SATURDAY, 10AM – 6PM

All images © the artists and Luhring Augustine. 

All rights reserved. Unauthorized use is prohibited

 

The Gallery is committed to ensuring that its website is accessible to all people, including individuals with disabilities. If you have any problems using the website or have any accessibility concerns, please contact us at 212.206.9100 or info@luhringaugustine.com.

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